Fate or Character: Who Is Responsible in the Oedipus Rex by Sophoclese? | 1800 Words Essay | HEC Sparknotes


Fate or Character: Who Is Responsible in the Oedipus Rex by Sophocles?

Fate or Character: Who Is Responsible in the Oedipus Rex by Sophocles?

Significant Events Already Decided

A big part of Oedipus Rex is a tragedy of fate. The important parts of the play were planned ahead of time by fate or the gods. People seem pretty useless when it comes to the things that determine their fate. People told King Laius that his son with Jocasta would kill him. Laius did everything he could to make this happen. Shortly after Jocasta gave birth to a son, Laius chained him up and gave him to a reliable servant with clear orders that the child should be left out in the open on Mt. Cithaeron to die. Under those conditions, no child could have lived. But the servant felt sorry for the child and gave him to a Corinthian shepherd. The shepherd then gave the kid to the Corinthian king. The child grew up to be the son of Polybus and Merope, who were King and Queen of Corinth. He then killed his real father, Laius. Of course, the son killed his father without knowing who the real victim was. But in the case of Laius, Apollo's oracle came true, even though he and his wife, Jocasta, did the unthinkable and killed their own child to avoid what the oracle said would happen.

Oedipus Has Failed in His Attempts to Avoid His Fate

The son that Laius had, Oedipus, also had to accept the fate that Apollo's prophecy told him would happen. The prophet told Oedipus that he would kill his own father and marry his own mother. Like his parents, Oedipus did everything he could to avoid a terrible fate. Leaving Corinth, he vowed to never see his supposed father and mother again as long as they were alive. He got lost and ended up in Thebes, where people were having a very bad time. At the point where three roads met, an unknown visitor killed King Laius. The city was being controlled by the terrifying Sphinx, who was causing a lot of damage because no one could figure out the puzzle she had set and presented. The monster was killed when Oedipus figured out the puzzle. Oedipus was given Laius's widow as a wife and was happily welcomed as king by the people of the city as a prize for his service. Because of this, he killed his father and married his mother without knowing who their real parents were. Not only did he do these terrible things without meaning to, but they happened because he was trying to avoid the terrible fate that the oracle at Delphi had told him about.

Characters Who Cannot Control Their Own Fate

It is clear, then, that the terrible things that happen in the lives of Laius, Oedipus, and Jocasta are caused by a strange supernatural force that can be called Apollo, fate, or destiny. This mysterious power had already planned for bad things to happen in these people's lives. These people are even told ahead of time that some shocking things will happen to them. These people do everything they can think of to stop these things from happening, but everything ends up just the way the oracles said it would. How can we say that the characters are responsible for the terrible things that happen? Even though Oedipus is the one who suffers the most in the play, he has done nothing to deserve what happens to him. Laius and Jocasta also don't deserve what happens to them. What makes Oedipus good and smart? For now, though, let us look more closely at Oedipus, the sad hero of the play. In his writings, Aristotle said that the tragic hero is a man who is respected and successful but ends up in bad luck because of a flaw. Now, there is no question at all that Oedipus is a good person. He is a good leader, a father to his people, an honest and good manager, and a very smart person. He cares more about the people of the state than he does about himself. People see him as their rescuer. He is loved and praised by them. He is also a real holy man who follows the rules: he trusts oracles, values family, and hates being dirty. The beginning of the play does make us think that Oedipus would make a great king. We really can't stand the thought of this man having to go through what he does.

Character Flaws of Oedipus

Oedipus is not a perfect man or even a perfect king. He does have a hamartia, which is a flaw in his character that makes the gods angry with him. He has a short fuse, makes snap decisions, gets angry quickly, and is sometimes even arbitrary. At first, he treats Teiresias with respect, but he loses it quickly and insults the prophet, accusing both him and Creon of betrayal. He gave Creon the death sentence, but later he took it back, which shows how hasty and arbitrary he was. In fact, Oedipus acts very suspicious of his friends in the two scenes with Teiresias and Creon. He jumps to conclusions too quickly and is very angry. He loses all control very quickly when he faces resistance or when he thinks he does. Because of his power and position, he seems to be turning into a tyrant. That's why this play is also known as Oedipus Tyrannus. He needs to be reminded by Creon that the city doesn't just belong to him. "I do not always want to be master of everything," he says, even when he is blind. All of this proves that Oedipus is not a man with perfect character, no flaws at all, and a person who embodies all the values. One of his big problems is that he is too proud of how smart he is. His natural sense of pride seems to have grown even stronger after he solved the Sphinx's puzzle. No prophet or seer found the answer. It is Oedipus's boast, pride, and faith in himself that make him feel almost better than the gods. Even his lack of piety says something about him. As Jocasta influences him, he starts to doubt the oracles. This shows that he is lacking in real knowledge, which is a key trait of someone who is about to become an evil tyrant.

Unavoidable: The Oracle's Predictions

The question that comes up, though, is what these flaws in Oedipus' character have to do with his sad ending. One could argue that he would not have killed his father if he had not been so angry. He might not have gotten into a fight on the road. In the same way, he might not have married a woman who was old enough to be his mother if he had been a little more careful. In the end, he wasn't forced to get into a fight on his trip or get married to Jocasta. Because of this, both killing his father and marrying his mother can be seen as character flaws on his part. At the same time, it's important to note that the oracles' predictions were impossible to avoid. What the prophet said would happen will happen in the end. Even if Oedipus had taken the measures that were mentioned above, the prophecy would still come true. It didn't say that Oedipus would kill his father and marry his mother if he did this or that. The oracle's statement was general. Oedipus would kill his father and marry his mother; that's all the prophet said. It was certain that what the oracle said would happen.
As Oedipus acts on stage, he is not a puppet but a free agent.
It would look like Oedipus is just a puppet if he were the innocent victim of a fate he can't escape. In that case, the play turns into a tragedy of fate that takes away people's freedom. But that point of view would also be wrong. Some people think that Sophocles has mostly shown Oedipus as a free person because he doesn't want to see him as a puppet. In neither 
Homer nor Sophocles does the idea that God knows ahead of time about certain events mean that all human acts are predetermined. In this play, the assistant makes it clear that Oedipus's self-blinding was something he chose to do, as opposed to killing his father and marrying his mother, which he did not choose to do. Some of Oedipus's actions were predetermined by fate, but everything he does on stage, from the beginning to the end, he does of his own free will. For example, he condemns Teiresias and Creon; his conversation with Jocasta leads him to tell her about his life and learn from her how Laius died; he continues his investigation even though Jocasta and the Theban shepherd try to stop him; and so on. What interests us about this play is how a man can freely choose, from the best of intentions, to do a number of things that will ruin him. Even though Oedipus could have let the plague happen on its own, he went to the oracle because he felt bad for his people's pain. Once Apollo told him about the murder of Laius, he could have chosen not to look into it, but his faith and love of justice made him do so. He didn't have to force a hesitant Theban shepherd to tell the truth, but he couldn't settle for a lie and wanted to prove everything. Each of Teiresias, Jocasta, and the shepherd from Thebes tried to stop Oedipus, but he was set on figuring out who his parents were. Nobody, not even fate or the gods, told him that he had to find the truth, so that's why he's in direct danger. It's even less likely that his own weakness is what brought him down. Being strong and brave, loyal to Thebes, and interested in telling the truth are what bring him down. We should think of him as a free person in all of this. He also chose to blind himself and send himself away, which are both free acts.

Fate and Character: Who Is Responsible?

What does that mean for us? Even though there is proof that Oedipus was free to do most of the things he did in the play, we can't forget that the worst things that happened in his life—killing his father and getting married to his mother—had to happen. In this case, you can't say that fate isn't to blame. However, Oedipus only finds out about his mistakes or crimes because it is in his nature to do so. It's this finding, which is because of who he is, that is the real tragedy. He would have continued to live in blissful ignorance if he hadn't found out the truth. There would have been no tragedy, no shock, no self-blinding, and no pain (as long as Jocasta hadn't found out the truth either). But the murder and the incest were planned ahead of time, and fate is to blame for them.

REFERENCES

Knox, B., & Bloom, S. (2006). Introduction to Oedipus the King. Bloom’s Modern Critical Interpretations, 71.

Zachrisson, A. (2013). Oedipus the King: Quest for selfknowledge–denial of reality. Sophocles’ vision of man and psychoanalytic concept formation. The International journal of psychoanalysis94(2), 313-331.

Vanzo, B. (2023). Oedipus Rex (Sophocles). In Encyclopedia of Domestic Violence (pp. 1-4). Cham: Springer

 International Publishing.

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